I think he needs more mushrooms too. The symbolism here is pretty obvious so I wont bore anyone but I've been trying to integrate regeneration and decay into pieces here and there and maybe someday I'll do a whole painting about it. It seemed appropriate when my friend requested another one of the skull faced animals for this poster.
Also check out all of these amazing mushrooms which I read about both while reading up about bioluminescence (for another project I should start soon!) and looking for mushroom pictures to reference for this drawing. I've actually spotted a few things on that site, like this stinkhorn (seriously) but would really love to see some of these biolumenscent mushrooms:
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My favorite part which I was most concerned with preserving was the way its spine and skull are exposed and lead into whats left of the body cavity. This was actually a little tricky because when I got to the second embedding layer of resin I had to pour it into the mouse's body to keep it from floating. I got some air bubbles and he sank into the first layer of resin because it wasn't solid enough when i put him in but it mostly came out ok. I think he looks like a little pushead drawing (minus the bandages). Anyway, resin! It's pretty cool.
Also worth noting I'm going to Ireland and England this month using the money I made from that last show. So far I've been able to turn the profit from all three of my shows into a trip, which is really ideal. I've been to Ireland before but never to England, and we're doing some last minute planning so if there's anything you recommend let me know! I like neolithic stone sites, castles, skeletons and reliquaries, beautiful natural spots and grim historical stuff. I also poked around the Website for the Tate and discovered that they have a lot of stuff I'd really like to see in real life which is really exciting. I'm especially excited about these two:
2 comments:
The Magic Circle looks pretty Metal in a Frazetta sort of way. You could also sell those resin mice as jewelry, like how they use those scorpions on bolo ties.
I definitely see what you mean. Waterhouse actually has a lot of witchy paintings that would make excellent record covers, and I'm going to guess Frazetta was pretty influenced some of those pre-raphaelite paintings.
Also totally re: resin bolo ties. I actually have a cicada somewhere I was going to cast into a little piece and realized it would look just like one of those keychains you can buy at gas stations...
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